the week ahead

I thought this was a lovely contemplation for the week ahead, whether one is Protestant or Catholic. From The Anchoress, written by a friend of hers.

Give it a read, will you?

Seven Days that Shook the World
April 9, 2006
by Greg Kandra

After spending the last few weeks in the desert of Lent, suddenly we find ourselves in an oasis, clutching long leaves of palms.

But like so many things you see after being in the desert, it’s a mirage. What we see, or think we see, is about to shift before our eyes.

Soon enough, the palms will be whips. The leaves will be thorns. Jubilation will become jeers. That is the paradox and the mystery of Holy Week.

The liturgies of this week are powerful and primal. In the days to come, there is silence and smoke, fire and water, shadow and light. We are a part of something both ancient and new, and what we do this week reminds us of that. The altar will be stripped. The cross will be venerated. The tabernacle will be emptied. The Blessed Sacrament will be moved. Bells will be stilled.

And yet here we stand, at the gates to Jerusalem, palms in our hands and hosannas on our lips, beginning the arduous trek to Calvary.

It is easy to be distracted by the events of the world, and not really pay attention to what we will do this week. Somewhere, wars are raging, and politicians are squabbling. Somewhere, Easter eggs are being sold, and chocolate is being inventoried, and plastic grass is lining wicker baskets.

But not here. Not now. Not yet.

This week, take the time to wonder about what we are doing, and what we are remembering.

For close to two thousand years, we have gathered like this, in places like this, to light candles and chant prayers and read again the ancient stories of our deliverance and redemption.

But are we aware of what we are doing? Do we understand what it means? Do we realize the price that was paid? A proper accounting is impossible. The ledger—His life, for our souls—seems woefully unbalanced.

So try this. This week, take a moment in each day that passes to wonder: What was He doing during this time of that one week all those centuries ago? What was crossing His mind on Monday, on Tuesday, on Wednesday? What sort of anguish? What kind of dread?

Has anything we have ever worried about, or lost sleep over, or agonized about, even come close?

He was a man like us in all things but sin. He must have been terrified, His mind buzzing with questions. Long after the others had drifted off to sleep, did He stay awake and worry? Maybe He sat up alone, late at night, whittling a piece of wood, the way His father had taught Him, until a splinter sliced His skin, drawing a rivulet of blood. He might have flinched and thought: Well, this is nothing. And still it stings. How intense would the pain of death become? How long would it last? How much humiliation would He be forced to endure, stripped and bleeding? And: What about His mother? Is there anything He could do to spare her from this?

As you shop for Easter baskets and dye, think of this. Ponder this. Wonder about it. Make it a kind of prayer.

And then, remember what we are doing, and why.

Because, of all the calendars in all of human history, this is the week that changed the world.

well, HERE’s something!

From “New Woman,” a British magazine, comes a list for you this Friday.

Get ready for “THE MOST BEAUTIFUL WOMEN OF ALL TIME”!!

Lemme know where you differ. Counting down from 10, here we go:

10. Scarlett Johannson:

9. Halle Berry:

8. Princess Diana:

7. Catherine Zeta-Jones:

6. Angelina Jolie:

5. Marilyn Monroe:

4. Sophia Loren:

3. Cindy Crawford:

2. Grace Kelly:

1. Audrey Hepburn:

And for those wondering, “Hey, where’s so and so??” here’s a list of 11-20. names only:

11: Kate Moss
12: Elizabeth Taylor
13: Cameron Diaz
14: Vivien Leigh
15: Charlize Theron
16: Nicole Kidman
17: Claudia Schiffer
18: Rita Hayworth
19: Ingrid Bergman
20: Julie Christie

Okay. So, REALLY — Cindy Crawford is #3?? REALLY?? Above Sophia Loren or Marilyn Monroe or Ingrid Bergman or Julie Christie or ALMOST ANY OF THEM!?? Wow.

And I love, love, LOVE Audrey Hepburn, but is she The Most Beautiful Woman of all Time? Is this based on pure, empirical beauty or the woman’s entire persona?

And Ingrid Bergman is not Top 10, at least?

KATE MOSS? Coked-up KATE MOSS?? Well, it IS a British magazine. I mean, look, Princess Diana is there. She was attractive, yeah, but …. well, puhleaaze.

And Cameron Diaz is #13? REALLY??

Boy, my eyes is gettin’ BAD, I guess!

tuesday night hoodang

American Idol does country tonight. And I have NOTHING good to say about it.

Taylor — I like him. He sucked.

Mandisa — I love her. She sucked.

Elliott — I like him. Sucko. With a weird, vacant stare.

Paris — I don’t like her. And she sucked. And that outfit! AND she wasn’t connecting in ANY way with that song. AND THAT OUTFIT!! Guess she was too worried about missing her gig as Mistress Tootie, the stable wench at Olde-Timey Times down on Melrose??

Ace — Gah! A face just made for pugilism. Lemme at him. *KAA-POWWW* right in da kisser!!!!

Kellie — Ryan asked her about her idiocy being an act, basically. NO, people! She is genuwinely STUPID! She is not canny enough to be purposefully stupid. And actually, she didn’t suck. And I can’t believe I’m saying that.

Chris — Eh.

All right. That’s it. I’m having a problem with the emotional vacancy of these performances lately. It’s like none of the contestants understands English or even listens to the words of their songs or even cares what those words may actually MEAN. They’re all so BLAH. They sing as if they’re all just expecting to be handed the title. Okay, here I go, strut, pose, try to look deep, fail, strut again, pose, oooh, almost forgot — fingerpoint! shake, point to permanent scar, if necessary, shake ass in judges’ general direction. Do I still have to do this or is it time to sign the contract yet?

Katherine — Everything about her seems so calculated, down to the slightest flick of the hair. It bugs me. She’s not natural. She’s too taken with herself, which makes me not taken with her at all.

Bucky — Isn’t country music your thang? Shouldn’t you be less sucky? Bucky?

So who goes home? WHO CARES??? I’m getting seriously bored with this season.

Gah. Where’s William Hung?

“mr. willoughby”

Continuing my Jane Austen mood. Sorta …

My Beloved taped an SNL sketch for me. I just watched it and I’m howling!! It’s a spoof presenting ” the lost Jane Austen work, Mr. Willoughby.”

And because I’m SUCH a dork, I’m going to excerpt it for you!

The scene opens on three proper English sisters, dressed, obviously, in early 19th century garb. One is Tina Fey, one is Rachel Dratch, the other, Scarlett Johannson. I’m sorry. But this combination is just HYSTERICAL to me. I love Tina Fey. And that Rachel Dratch — well, frankly, her face is almost inappropriate for public viewing; it’s just so odd! But those big googly eyes of hers are perfect for comedy. She’s like a female Marty Feldman or something. And Scarlett Johannson is a crack-up in this — the contrast between her beauty and her words is hilarious. (Have I now set it up so relentlessly that you can’t possibly find it funny? Oh, well. Here goes anyway!)

The sisters are rhapsodizing about the most eligible bachelor in the county, Mr. Willoughby, as they wait for his arrival. Everything they say puts them on the verge of swooning:

Fey: When Mr. Willoughby arrives, I shall proffer him a selection of salted nut meats!

Dratch: And I shall play the pianoforte!

Joh.: And I shall sing him a fine contralto!

ALL (singing): I met a girl from Mastie, her hair was chestnut brown!

Dratch: Mr. Willoughby has the rosiest cheeks!

Joh.: And the thickest, orange hair!

Dratch: And when he speaks, the air is filled with the smell of roasted meats!

Joh.: They say that Mr. Willoughby has two suits of clothes ….

Dratch: One for winter ….

Fey: And one for funerals!

ALL (arm in arm): Mr. Willoughby!!

Joh.: Mr. Willoughby has the most delightful collection of neck moles!

Fey: Mr. Willoughby’s nose looks as if it’s been dipped in poppy seeds!

Dratch: His teeth are like sharp pieces of corn!

Fey: His eyebrows are terribly expressive, particularly the top one!

Joh.: His eyes are ever so piercing — one, brown, the other, milky white!

ALL (dancing in ring-around-the-rosey fashion): MR. WILLOUGHBY REEKS OF UR-RIINE!!

Fey: I saw him Sunday last at church and he waved at me with his crooked yellow fingers!

Joh.: I must confess to you, sisters dear, I should like to whisper sweet nothings into his wax-caked ear!

Dratch: I purloined his blood-soaked snuff rag! And I keep it in my Bible — in the pages about Delilah!

ALL (sighing): Mr. Willoughby!!

Fey: Some say he’s a hundred years old. I say a hundred and twenty!

Dratch: Some say he’s ill-tempered, but I say he’s just mean!

Joh.: They say his his beard hides a host of malformities. Oh, that I were those malformities that I might couch myself under that patchy beard!

Dratch: Some say that Mr. Willoughby isn’t a man at all, but rather a pile of sticks someone threw an old coat on!

ALL (dancing again): I SHALL MARRY HIM, NONETHELESS!!

Voiceover:
“Mr. Willoughby” — coming soon to a tiny, depressing theatre near you.

raging non sequiturs

From the weekend:

~ Before our matinee of “V is for Vendetta” started Saturday, I ducked into the restroom. I was alone until she slumped in. I watched her in the mirror. She was solid, burly, decked out in an oversized t-shirt, matching oversized pants. Her feet didn’t step but shuffled across the tile. Head hung firmly down in a “don’t look at me” way. She clutched something in the crook of her elbow. What was it? The extra fabric of her shirt almost obscured it, but right before she disappeared into her stall, I caught a glimpse of what it was: an extra large tub of popcorn.

She brought her tub of popcorn into the restroom.

I was stunned. I thought maybe she’d ask me to watch it or hold it or something.

Nope. That enormous tub went right into the stall with her. I just stood there, transfixed, water continuing to pour over my now impossibly clean hands. I must have seemed OCD, but I just had to watch.

I could see her feet, of course, under the door of the stall. But where was the tub? Oh, look. There it is.

On the floor between her feet.

The tub was in the bathroom. In the stall. On the floor between her feet.

And right before I sprinted for the door, I saw her grabbing a big handful while stray white puffs fell to the floor around her feet.

~ Oh, and “V for Vendetta”? Ugh. Puhleaze. A movie we chose because there were no choices. Ah, sometimes that happens. You know, the whole “comic book” movie genre eludes me, really. Well, I liked Spiderman well enough, forcing myself to overlook that he is, after all, a SPIDER man. But I guess I lack the imagination or the testosterone or the whole “wow, I WISH I was 9 again” thing that one needs to really be swept away by it all. And THIS movie?? AAGGHH. I could NOT get past the fact that Hugo Weaving wore that preposterous Guy Fawkes mask the entire freakin’ time! Can a person really — enjoyably — look at this simpering thing for 2 hours?? It makes me want to kill people:

I confess I spent the larger part of the movie quietly egging on ANY character in ANY scene with V: “C’mon. Rip it off. C’MON! Pleeeeaaze …… DAMmit! I hate you! You know what? Now he’s gonna kill you and then you’ll be sorry because that pasty, RETARDED face is the last thing on this earth you’re gonna see!” Of course, underneath the smiling plastic, he’s apparently some horribly charred goblin, but I would have welcomed the chance just to look at FLESH, no matter what shape it was in. So when you think about it, he’s really just a big ol’ scab, a black, plastic, sadistic SCAB. Luckily Weaving is blessed with a rich baritone voice, providing the only expression he could even use in the role. It’s frustrating, because you know there’s a human being under there and yet, you don’t identify with him as anything remotely human. And yeah, yeah, supposedly, the movie makes you think about STUFF like: Was V a hero? Or a terrorist? Or some great tragic figure? Who CARES?? He was basically a freak in a freaky mask. But, really, it does make you think about other stuff too, like: Was that actually Hugo Weaving in the whole V getup? OR did he just do the voice and some other actor wore the mask, like the whole Darth Vader dealio from “Star Wars”? THAT’S what the movie really makes you think about, peeps. Blech.

~ Later that same day — I guess to punish myself for the movie — I bought some unsweetened chocolate soy milk. WHA??? Please. It was SO upsetting. Let’s not talk about it anymore.

~ Sunday afternoon, I bought some red and orange and fuschia ranunculus from the farmers’ market down the street. At home, I fussed over their clashing hues until they formed a fiery cluster that perfectly matched my unsweetened chocolate soy milk mood. My Beloved, though, saved the day by renting Pride and Prejudice with Keira Knightley. I’d been dragging my feet about seeing it because I’m SUCH a fan of the Colin Firth/Jennifer Ehle version, but it IS Pride and Prejudice, for Pete’s sake, and guaranteed to squeeze the sickly, unsweetened soy out of ANYONE!!

So, some random thoughts:

~ Donald Sutherland, his odd, aging face settling into a craggy warmth, is just wonderful as Mr. Bennet, always one of my favorite characters. His very presence is wry and soothing and a perfect counterpoint to the incessant flutter of his wife and younger daughters. Plus, he gets to utter lines like these: “Your mother will never see you again if you don’t marry Mr. Collins and I will never see you again if you DO.” Hahaha.

~ Gah, the actor who plays Mr. Collins — he’s just a hilarious little hobbit! He kills me with his wee-ness and obsequiousness, his silly intensity. I swear he speaks THE funniest line in the movie while at dinner at the Bennets’ humble home. The camera zooms in a tight close-up to a bowl of heaping potatoes, then we see Mr. Collins, struggling for something good to say. He says this: “What a superbly featured room and what …… excellent boiled potatoes. Many years since I’ve had such an exemplary vegetable.” The actor pauses for the merest second there, before the word “excellent.” I’ve now watched that moment over and over and it becomes more hilarious to me each time!

~ Keira Knightley deserved that Oscar nomination. She surprised me, really. Her Lizzie is lively and witty and stubborn, but she captures that certain lightness that Lizzie must have. She was luminous.

~ Yeah, yeah. Judi Dench as Lady Catherine. She’s great. Isn’t that a given with her?

~ Oooh. The scene near the end of the movie where Lizzie tells Mr. Bennet that she really LOVES Mr. Darcy. Now THAT is the tear-jerking scene of the entire movie! Not seeing Lizzie and Darcy end up together, but seeing father and daughter in their unabashed, bittersweet adoration of each other. Donald Sutherland is genius in that scene. I bawled like a baby.

~ And now, to my gripe: Matthew Macfadyen as Mr. Darcy. I’m sorry. He has the face of a over-scrubbed tuber, bumpen, lumpen and starchy. It does not woo or inspire or seduce, but rather begs to be bathed in butter and dolloped with sour cream. He’s a bowl of “excellent boiled potatoes” with a pleasant speaking voice. His eyes are rabbity, impassive. Close-ups of his face left me unmoved — and he’s Darcy, for God’s sake! That’s not the reaction a girl should be having. Oh, well, there IS the moment at the end of the movie where he comes a’stridin’ across the dewy morning field, coat tails rippling in the breeze, face in blessed shadow, and you momentarily feel something, but then suddenly the light comes up on that face and you hold your breath and ….. it’s just a dish of Darcy Au Gratin. So bottom line, he’s fine, I guess, if you like your Mr. Darcy tuber-faced and rabbit-eyed and incapable of making you swoon.

Here. I’ll just offer you a visual comparison. This will explain EVERYTHING:

Side Dish:

Main Dish:


AGAIN, THAT’S:

Side Dish:

Main Dish:

We all clear??

(Oh, but I’ve still watched it 2 times since we rented it. AND I’ve rewound the strolling through the dew scene more than a few times, mentally pasting Colin Firth’s face over The Tuber’s.)

I mean, it IS Pride and Prejudice after all!