Okay. Who knows how much time I have before the horrible blackness happens again?? We’re working on solutions, so thank you to those of you who have sent me emails with ideas/possible solutions. I’ll be around when I can — at the whim of this whole dealio — for the next week or so.
Recently, I stumbled across a bunch of YouTube videos featuring Stephen Sondheim teaching a variety of his songs at the Guildhall School of Music and Drama in London. This clip features “My Friends” from Sweeney Todd. (Circa mid-80s, I think.) This is like CRACK to me. Brilliant. What I think of the young guy’s performance here is not the point. He’s in school and, therefore, I assume he WANTS to be educated. (Oh, okay: He looks completely wrong for Sweeney, and he has no passion. But — BUT — I’m assuming they are simply working this as a scene and not necessarily rehearsing for an actual production. That’s the sense I get anyway. So, yes, his looks are moot. Who cares? Reeeeeer, Trace.)
I’m just loving Sondheim’s comments: “Address the razor.” “Make love to the razor.” “The man is crazy.” “Don’t be so sane.” Hahahahaha. I mean, it’s brilliant. It’s simple. It’s usable and accessible to the performers. This kid got a chance to be seriously schooled, however briefly, by one of the true greats in musical theater, the composer himself. I mean, what a gift, what a moment. Standing feet away from Sondheim himself while he watches you, shares his insights, his thoughts behind what he wrote, how that applies to you as a performer, I’d be quaking in my boots, personally, but what a thrill!
To the young man’s credit, I do think he improves with each critique from Sondheim. He progresses. He’s moving forward. No, it’s not great, but he’s moving forward. He’s listening and learning. He can sing, definitely, and his acting inches forward here. The girl playing Lovett is quite good, I think. Or at least in contrast. Notice how her performance elevates and energizes his. He needs her to do this scene with him. She’s pushing him. Watch how Sondheim is just SO enthusiastic. I love his note to her: “That was terrific. The banality of her emotions is what makes the contrast work.” YES! Exactly! What a great, helpful insight. His comments are full, rich, there’s so MUCH in them that they can use. And I love his expressions watching them. He’s supportive and …. well, just thrilled to see them performing his work. There’s this crazy glee in his eyes at some moments that just makes me laugh out loud.
He’s proud, I think. Just proud. I’m rambling and writing too fast and without thinking — uhm, because of my newfound fear of the looming blackness, but I just LOVE this.
To compare, here are Johnny Depp and Helena Bonham Carter performing the song in the recent movie version. Yes, it’s the movie and not the stage musical — different forms, I know — but I include it here because I think what Depp does here proves Sondheim’s points. The razor is the girl. The RAZOR is the partner. It’s almost an erotic moment he’s having with this razor. I could have posted George Hearn’s version, but I’ve never been a huge fan of it. Great singer. GREAT. But he doesn’t find that seductive edge to this song. He does the crazy well, and he can sing the pants off of Depp, but Depp’s performance here is a blazing triumph of acting over vocal power. Depp makes you fear the razor and wish you were the razor at the same time. Yamahama. It’s sick. And, yes, it’s sexy, too.
The razor is the partner.
Watch and see how many of Sondheim’s insights in the clip above — from what? 25 years ago? — Depp uses in this song. Hey, if it works, it WORKS, and watch Depp make it work. Genius.
Also, I’m adding this random bit because I really did miss the presence of the chorus — the “company” — in the movie version. I understand how that wouldn’t have worked, but these are the lyrics at the end here, after Sweeney declares his arm complete again, and the song swells:
Lift your razor high, Sweeney!
Hear it singing Yes!
Sink it in the rosy skin of righteousness!
Quite thrilling with a full menacing chorus.
I’m scared now just thinking of it.
I just stumbled across this blog and found one of my favorite topics, Sweeney Todd. Thanks for this post. The video with Sondheim is interesting. I think the guy is really nervous, but I agree. I don’t think he’d make the right kind of Sweeney in an actual production, but it was interesting to watch the process of this.
James — I think the kid is nervous, too. I mean, who wouldn’t be? Stephen Sondheim is watching you critiquing you. ACK! But he does progress, I think. He seems to bloom, however slightly, from Sondheim’s insights.
That Depp scene makes every hair on my body stand on end.