Chad Hedrick, USA. He used to be an inline skater. He recently switched to speed skating and now hopes to win gold here. I’m only commenting on this because of the cheesy, manufactured drama injected into his “backstory” tonight:
He cried earlier today because, well, it’s the anniversary of the death of his best friend, his biggest supporter.
Yes, people, THIRTEEN years ago today, GAMMY died. HOW can he go on?? HOW will he even see the track through his red, Gammy-puffed eyes??
I swear. If he wins and says he felt Gammy’s presence, I will hurl all night and I will still not feel purged.
UPDATE: He won. And he said it: “I know she was looking down.” She died of “bane cancer,” according to Chad. And afterwards, he had to talk even more of how he cried, egged on by the reporter, of course.
I hate this kind of manipulation. Deeply. Can the event not be allowed to have DRAMA on its own?? Must everything turn into a wretched Hallmark Hall of Fame movie?? The very fiber of competition IS drama. But it’s not enough anymore. Any little maudlin bit that CAN be added, WILL be added, crammed into our hearts by whatever means necessary. And the more it shouts at us HOW to feel, the less we’re actually capable of feeling. Genuine, spontaneous emotion is stolen, replaced with showy, clanging fakery.
I remember my drama professor in college teaching me this very principle. I was in “The Fantasticks,” a show with a potentially tear-jerker ending. My leading man and I were prancing about, messily emoting — ACTING, dammit! — and my professor, from the dark at the back of the theatre, in a giant, you-will-NOT-question-me voice, boomed, “STOP THAT!! STOP THAT RIGHT NOW!!!” We stopped. We were scared. (Well, actually, I wasn’t that scared yet because I was sure it was my putzy leading man, screwing up somehow. It certainly wasn’t ME. I was brilliant. I mean, I was crying with the emotion of it all! It was sheer liquid poetry! SEE how REAL I am?? Wait. Hold on a sec. Here’s some even BIGGER tears!)
But my professor strode up the aisle — it seemed in one colossal step — and stood before both of us, eyes blazing: “When you cry and emote and ACT like that, you alienate the audience. You take their feelings away from them because they are too busy watching you SHOW yours. You rob them of something priceless — the right to decide how to feel. It’s not that you don’t emote,” he said, “but you don’t beat them about the head with it, for God’s sake!”
Then he said this: “Simplicity, kids. SIMPLICITY.”
See? The same thing is at work here. Let the event — skating, skiing, bobsledding, whatever — play itself out. It has dignity of its own; it has a DRAMA of its own. Don’t decide for the audience how they MUST feel. It’s condescending. It’s thievery, really. I hate it. And when you “beat them about the head with it,” they’ll end up feeling NOTHING.
DON’T — as my brilliant, now departed professor said — rob them of something priceless — the right to decide how to feel.